I am a huge fan of whiling away countless hours in art
museums. It is akin to crossing through
a portal of time, place, and mind not unlike the wardrobe door in The Lion, The
Witch and The Wardrobe. The only
separation between your present hustle and bustle beat-the-clock reality and
this anodyne utopia of quiet reflection is a set of glass doors and a small
admission fee; a fairly inexpensive palliative measure in the grand scheme of
mental treatments. J
I can’t really say which galleries captivate me most. All have magical qualities that seem to bring
back to life the bygone eras in which they were created. It’s as if the photos, sculptures, artifacts,
and paintings whisper to each viewer a little piece of knowledge the creator
wished to immortalize like secrets, fantasies, convictions, fears, hopes,
loves, and power. I love antiquities and
any art that represents the nature of the way humans relate to one
another. I am particularly drawn to the
ironic and recurring theme of the dangerous power of women in Medieval
art. Though women were effectively
suppressed, owned, and treated like property, the artists sent subliminal
messages that by and large, it was known that we were NOT the weaker sex. It would only take us centuries to get that
message out. J
One thing that is fairly consistent is that when I visit a
museum or gallery, there is generally one piece that hits me like a ton of
bricks; likely triggered by the mindset with which I walked in at that moment on that
day. Chemistry and timing is everything. I’m reluctant to tell you that sometimes it
moves me to tears. I’m not insane; just
uber sensitive to aesthetics.
In June, I was able to visit the Art Institute in Chicago , which is
incomprehensibly phenomenal in its collections.
It resides in a building originally constructed for the International
Parliament of Religions for the Chicago
World’s Fair in 1893 (which in and of itself is another fascinating topic, but
we shall save that for another day. J) I stumbled upon this gorgeous, literally
larger than life-sized sculpture that was so beautiful and so filled with
meaning, it stopped me in my tracks. At the end of this article, I have included more photos taken from 360 degrees around it.
It was created by an American sculptor named Lorado Taft and
is entitled “The Solitude of the Soul.” Four figures, men and women, are united only
by touch. Their faces are turned away
from each other. Its description reads, “However closely we may
be thrown together by circumstance…we are unknown to each other. We grope; we cling to each other, but our
eyes are hollow.” I was suddenly emotionally unhinged by
this bittersweet reality. We come into
the world solo and exit it the same way; touching other lives along the journey;
making our mark on the era in which we live, maybe longer in the case of people like Steve Jobs; our minds like unique worlds unto
themselves; and no matter how close to another’s
life we get, there are things we will simply never know about them. Even in the age of Twitter, Facebook, and
over-communication ad nauseum (guilty as charged), there are feelings and unspoken realities in our
minds that only we can perceive as evidenced by the fact that it is still
possible to feel terribly alone in a crowded room. (...also guilty as charged.)
It made me think of my favorite Jackson Browne song: For a Dancer.
Just do the steps that you've
been shown
By everyone you've ever known
Until the dance becomes your very own
No matter how close to yours
Another's steps have grown
In the end there is one dance you'll do alone
By everyone you've ever known
Until the dance becomes your very own
No matter how close to yours
Another's steps have grown
In the end there is one dance you'll do alone
No comments:
Post a Comment